Seraph of the End, by Takaya Kagami and Yamato Yamamoto
Genres: Shonen, Paranormal
Favorite Characters: Mikaela Hyakuya, Krul Tepes, Shihō Kimizuki
“Humans will do anything for their families. We’ll happily lie, cheat, make deals with the devil, or even become demons ourselves.”
When I write these reviews, I try really hard to keep myself from gushing all over the place and to maintain an analytical, serious persona – but this time, I don’t think I can do it. I love this manga too freaking much.
I got into Seraph of the End on complete accident. What started out as a mild curiosity blew up into a frantic obsession. I usually take my time watching anime to avoid burning out, so twenty-four episodes usually takes me about a week and a half.
I watched Seraph of the End in a single weekend. I couldn’t stop.
What surprises me the most is that Seraph of the End has everything that I hate. It has fantasy elements, but it is also a dystopian, which is a genre I can’t stand. There are vampires, which up until recently I couldn’t take seriously. Also, I kid you not, but almost every person in Yūichirō, the main character’s squad has a gigantic crush on him – including the men. Then there’s Mikaela, whose obsession with Yūichirō is so intense that he has very few other characteristics. He’s a character that was built to be complex but is portrayed as one-dimensional.
He is also my favorite character of the series and my precious vampire angel.
The story is based around the idea that in 2012, the world was supposed to end. A virus spread that killed virtually all humans over the age of twelve years old, and in order to maintain their food source, vampires rose up and took control, capturing many and taking them down into vampire cities as livestock. Yūichirō and his adopted family at the Hyakuya Orphanage were such victims, and they lived like that for four years until Mikaela, Yūichirō’s best friend, plotted an escape that went horribly wrong. The rest of the orphans ended up dead, but Yūichirō managed to escape. He enters the Japanese Imperial Demon Army in order to become a part of the Moon Demon Company, a special branch designed to eradicate vampires, in order to get revenge for his family.
The central theme is to live not just for yourself, but for your family and friends as well. Yūichirō maintains his loyalty to his squad, to Guren – who saved him four years prior, when he escaped – to the rest of the army, and to Mikaela. He starts out as a lone wolf that doesn’t rely on anyone, but comes to learn that he can’t fight alone. I love how – even if the mission depends on him to leave comrades behind – Yūichirō will scream, bluster, and at times disobey in order to keep those he cares about safe. Stupid? Yes, but I’m a softy, and I love the concept of ‘no man getting left behind’.
Seraph of the End is both beautifully written and drawn, with intense action, slices of humor, and a whole lot of tragedy. It’s one of those gripping, edge-of-your-seat stories that I’ve come to find I adore just as much as the sweet and romantic ones.
“No matter what you become, we will always be family.”